Product Description:
The IS Pro utilizes Fujifilm's Super CCD Pro and Real Photo Processor Pro technology to see light from the ultraviolet (UV), visible and infrared (IR) portion of the spectrum (approx. 380nm - 1000nm). It also benefits from compatibility with Nikon F mount lenses and Nikon iTTL flash systems, making it a cost effective solution for law enforcement agencies that already have Nikon components. It also has a specially formulated protective CCD glass filter that was designed to help protect the Super CCD Pro from dust and general maintenance damage while maximizing its UV and IR gathering potential. Live Preview Updates A New quick activate one-touch Live Image Preview (black and white) mode has been added that can be activated by pressing the "Display/Back" button for three seconds. This makes fast access to Live Preview mode much easier when used on forensic copy stand tables in dark room environments. Its Mirror Lock-Up and Shutter Delay features also aid in reducing image blur during long exposures. To further improve the process, the Live Image Preview can be digitally magnified and brightness adjusted to improve focusing accuracy or to compensate for light intensity. The video image can also be viewed on an NTSC/PAL monitor or on the PC over the camera's USB 2.0 connection directly from Fujifilm's optional HyperUtility HS-V3 software. Bar Code Reading an optional IS Pro firmware upgrade due out in October will support in camera TIFF file formats in three re
Product Details
- Feature:
- Compatibility with Nikon F mount lenses and Nikon iTTL flash systems, making it a cost effective solution for law enforcement agencies that already have Nikon components
- Specially formulated protective CCD glass filter that was designed to help protect the Super CCD Pro from dust and general maintenance damage while maximizing its UV and IR gathering potential
- Mirror Lock-Up and Shutter Delay features also aid in reducing image blur during long exposures
- Optional Bar Code Scanner option that allows for alpha-numeric data read by the bar code reader directly into the IS Pro's image file as part of the EXIF header in JPEG, TIFF and RAW file formats
- 12.3 MegaPixels (S - 6.17MP, R - 6.17MP)
- Binding: Electronics
- Brand: Fuji
- Label: FUJIFILM
- Manufacturer: FUJIFILM
- MPN: 600006263
- PackageQuantity: 1
- ProductGroup: Photography
- ProductTypeName: CAMERA_DIGITAL
- ProductTypeSubcategory: slr
- Publisher: FUJIFILM
- Studio: FUJIFILM

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Audio & Video Connections Guide
" For a list of all the ways technology has failed to improve the quality of life, please press three." - Alice Kahn
This quote is certainly applicable to consumer electronics. From the very first commercially produced radios to the latest in high-definition television technology, the manner in which the components used to deliver our news, music, movies and entertainment are interconnected seems to have escaped logic. For both the newcomer and the old hand alike, connecting equipment in the most efficient and effective manner can be a painful chore. It is hoped this article will improve your background knowledge concerning potential A/V system connection schemes and where each is most appropriate. The next time you find yourself in a "connectivity quandary" perhaps the ideas shared here will help you to quickly solve the riddle of which wire goes where and why!
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Glossary of Helpful Terms, Concepts & Advice
Related to the Camera:
Camera Parts & Features - these are standard or basic features on a camera. Your camera may have different features. If you have any questions, please e-mail me.
View Finder - A small eyepiece or screen on the camera that allows you to see the image you're recording. (The camera also acts as a VCR, so you can play back and watch what you have already recorded through the view finder).
White Balance - If you ever ended up with yellow-tinted video, chances are you forgot to white balance. It's worthwhile to white balance every time you use your camera to get the highest quality video. If your camera doesn't have this feature, it may have an automatic or internal system. What white balancing does is adjust the intensity of the colors being recorded according to the existing light. Make sure you white balance every time the lighting conditions change; if you record video inside and then go outside, your lighting conditions have changed and you need to instruc ...