Customer Reviews 

Known problem with the 14-50 Leica lens
2008-12-26This is a great camera with a stunning tack-sharp lens. That said, many owners on the Leica forum have reported a problem with the 14-50 lens that comes on the camera. The lens sometime comes with, or later develops, the problem of binding of the zoom function, which after time locks up completely or at best restricts zoom movement. Also, several new owners have reported that they have received a camera with a lens whose front end is "loose" and can be wiggled back and forth. This is alarming, but does not seem to effect the camera focus, at least on my DMC-L1 with its case of front end wobbles. Alas, also my lens seem to be developing the dreading zoom restriction about mid zoom.
So, if you do purchase this camera, do carefully check out the 14-50mm lens for what appears to be, or have been, a widespread manufacturing defect. The lens should zoom in and out smoothly. If there is a slight restriction or a "catch" in the movement, you're likely in for downline trouble.
With a defect-free lens, this camera is superb, and well worth the potential hassle of returning the product for replacement if you find yourself with a lens whose zoom function fails and binds.
The DMC-L1 is considerably less expensive than the Leica branded version, and offers the feel and advantages of the range finder cameras like the Leica M3 or the Nikon SP, so loved by photojournalists of yesteryear. Ah, but if only the DMC-L1 was as petite as the old Leica M3.

One of a kind, never to be mistaken
2008-09-03When this camera was introduced I knew I wanted one. The look and feature set just appealed to me. Finally I got one. It is not a perfect camera for everyone, but get your hands on one and it speaks for itself. I love using this camera and I find it quite comfortable to use with everything where I expect it to be. Some features I particularly like are the manual controls, two-stage flash, live view, and the kit lens.
The manual controls feel more natural than using menus. I especially like the quick access buttons on the back and the drive mode and metering switches on top. Though these switches can change position easily at times, I still much prefer it to delving into a menu. I also love the two programable function buttons. This can be very useful, though be warned that one of them defaults to aperture when using a lens without the ring. But this has its workarounds.
I normally avoid using flash, but on the L1 I will try to find a way to use it. The bounce flash I find especially useful for portraits. The power of the flash I think is also very good for a built in unit. Its also amusing to see other peoples' faces when you pop the flash.
Live view is a feature many seem to scoff at, but I find it quite useful. It also helps to compensate for the viewfinder's deficiencies or when you really want to get that unique perspective.
And last but not least, the LEICA lens. I wanted a bright lens, and the L1 comes with one. Having a quality piece of glass to start with is a real plus and this lens is part of what makes the L1 the camera it is.
The L1 has its faults and quirks too.
The viewfinder is small and dark. Though I don't find it to be any darker than the viewfinder on my old Canon AE-1, it is smaller than most. But it is adequate for ordinary shooting and something you quickly adjust to. If you're shooting detail you can use Live VIew to check focus and to better view in dark lighting.
The auto focus is normally quick and near silent, but it does struggle in dim lighting or under harsh backlighting. Then the lens racks through its range and can make a bit of noise. But it is quieter than mechanical focus systems and I find it to be very accurate most of the time.
Lastly a few nit-picks. The flash being located off center from the lens axis can cause uneven lighting, but it is barely noticeable and often only occurs at either close or far distances. Also, don't use the lens hood with the flash as it causes shadows. The shutter dial is nice to use, except it doesn't turn 360 degrees. This makes switching from aperture to shutter priority a slight pain at times. But it isn't a big deal unless you switch between shooting modes a lot. Battery life isn't stellar by comparison to some others, especially if you use Live View a lot. So an extra battery would be suggested.
Overall this is a very unique piece of photographic equipment and is one you will either love or hate. But don't just take peoples' word for it. Get your hands on one and see for yourself. I love mine and wouldn't trade it for anything. I'm proud to own what will surely become a piece of photographic history.

in love
2008-05-20I love this camera. I've used Canons and Nikons in the past, especially D30s and D40s, and I much prefer using the L1. I almost always shoot manual, and find the actual, physical controls on this to be a great improvement over all the buttons on the Canon. The design/navigation of the menu is also the nicest I've seen on a digital camera (have also owned Sony and Fuji). Picture quality is outstanding. Plus, I admit I really like walking past people carrying their omnipresent Canons and Nikons, while I'm sporting a much rarer Lumix.
The single biggest flaw with this is the viewfinder. It really is too dark - a problem common to many dSLRs which don't use pentaprisms like film SLRs. It can be worked around, but it's a real annoyance.
Also, be aware that this is not a small, inconspicuous camera.

Poor lowlight performance, great for landscapes!
2008-05-19I bought this camera when Amazon had them for $799. I thought it would be a good camera to re-familiarize myself with manual controls and a higher degree of involvement with photography. I was also in love with the design and layout of the controls and the body.
I will not get into an analysis of the pros and cons of this camera; there is enough information out there to provide anyone with a sense of how the L1 measures against the competition. I will however, contribute a few observations.
Even though the viewfinder is dark and small, you adapt to it fairly well. I used the camera on a 4 day trip to Colorado and found it a lot better to manage than I initially thought.
This camera requires patience and a willingness to try different things. If you just stick it in Auto, you miss the whole point of using this unique instrument. A tweak here, an adjustment there, and you are rewarded with rich, detailed and well balanced images.
You will be stunned at the quality of images this camera produces. Outdoor shots are beautifully rendered, bokeh is quite good, and the 14-50mm Leica lens is a joy to use, albeit a tad unforgiving when the wrong settings are used.
7 megapixels is more than most people need.
Low light performance is really poor. The AF hunts and hunts, high ISO performance is relatively noisy (But why would anyone shoot above ISO800 anyway?) and the built in flash only works well at close range. One cool feature is the bounce-flash feature, which returns well lit and not washed out portraits, but only at a reasonable distance.
I have a Nikon D300 SLR that I use for more professional applications. I however prefer to use the L1 as a walk around, fun camera. It behaves very much like an analog camera.
Perhaps one shouldn't think of this camera's challenges as shortcomings, but of how far digital photography has advanced and even gone beyond film in performance and flexibility.
As long as lighting conditions are good, this camera shines!

Wonderful
2008-04-28I 've been taking pictures for 25 years with different cameras (OM 1O, EOS 10, LUMIX dmc-fz20, EOS 400d...) and I wanted something special for my 40's. This machine is absolutly perfect. Actually, this was design and created with Leica (this is exactly the same camera as the Leica Digilux 3). Some will say it's only a 7.5MP SLR camera! Indeed, but perfectly "adjusted". You can use Zuiko lenses which are great.
I do recommand this Panasonic dmc-L1!
Electronics Articles 
Digital cameras are good for the environment
As we consider the digital camera revolution that has taken place over the last decade, most people think about it in terms of enhanced benefits for consumers. We can take a lot more pictures at much lower cost with digital cameras versus film cameras. We can also more easily manipulate and share those photos since they're all in the digital realm.
But one thing many people don't think about actually deserves mention as potentially the most profound effect of the digital camera revolution: how digital cameras greatly reduce the destructive impact on the environment compared to film cameras.
At first, you might think, "How can that be? My film camera didn't harm the environment!" Even though it wasn't your camera that harmed the environment, your film processing did indeed harm it. Any time you take your pictures to a photo processing center, that film is run through batches of chemicals. These chemicals are environmental hazards, and once they are used to process film, those chem ...
Camera basics: shutter-speed, aperture and ISO
In this article, I’ll introduce you to the basic elements that you can use to control exposure in your shooting. If you have a digital SLR, there will be a way to set all of these controls on your camera, but since they differ between manufacturers and models, you’ll need to refer to your camera’s manual to find out exactly how to change them.
All cameras, whether an ancient film camera, or a more modern digital, work in pretty much the same way. Photographs are taken by letting light fall onto a light-sensitive medium, which records the image. Traditionally, this has been film, but more recently, it tends to be a digital sensor. The more light that falls onto the film or sensor, the lighter the image.
Put simply, a camera consists of a light-tight box that stores a light-sensitive device (either a film or a digital sensor), a lens that magnifies and focuses the image onto that light-sensitive device through a hole in the box (called the aperture) , and a shutter that opens ...